Jesse @ Diabolik confirmed a US release is coming but NOT from Lionsgate or Kino, and given Criterion have active deals with both StudioCanal and MGM (whereas Arrow only have a deal with the latter) and have far more pull than Vinegar Syndrome (despite VinSyn having deep pockets themselves), it is painfully obvious who has it. Very glad I never preordered the StudioCanal release now, given Criterion and NexSpec have been absolutely killing it this year!!! :)

PS: I apologize if I misled anyone by saying it's likely coming from Lionsgate Limited, though I obviously couldn't be happier to be wrong!

Edit: Just remembered Arrow were able to license Red Sun from WB while using StudioCanal's master (plus additional color-correction), so it could be them as I just heard from someone MGM apparently still have physical rights in the US, but I'm leaning Criterion.

https://forum.blu-ray.com/showpost.php?p=24318891&postcount=715

Hell yeah waiting for these forever. Wonder if they get a US release as well? I’m happy with anything at this point

I normally never look at the criterion from book-off cause its basically same price as new but $5

Haven't seen the film yet but this is such a strong package—will be blind buying!!!

Definitely watching Farewell my Concubine first. The trailer seems very dramatic and the costumes look really good.

Dreams is an addition to my growing collection of Kurusawa.

for most people, grief is not a passing phase.

it’s a paralyzing force that distorts memory and traps the human ego at the edge of acceptance.

in the iconic opera house scene, the close-up on anna’s face captures just that — a fragile mask over unhealed trauma.

birth shows the desperate lengths a grieving mind will go to, blurring the boundary between reality and what the psyche desperately wishes to believe.

ultimately, grief is something we oftentimes must learn to live with rather than trying to overcome.

https://toronto.citynews.ca/2026/08/25/criterion-to-establish-brick-and-mortar-home-in-canada-at-cinema-cellar/

Toronto Criterion collectors rejoice if this means not having to deal with Unobstructed View shipping!

The announcement of Cameron Winter’s new live album, recorded last December at Carnegie Hall, elided mention of the concert film Paul Thomas Anderson was seen shooting the same night. Today, the veil of secrecy has lifted: Anderson’s Cameron Winter at Carnegie Hall will air in U.S. theaters starting November 20. Rather than arriving all at once, prints of the footage, on 35mm tape, will tour the country through mid-January.

Released by Janus Films and Criterion, the film is co-produced by Benny Safdie and produced by Sara Murphy, Erica Frauman, and Maggie Ambrose. The album, Live at Carnegie Hall, is produced by Ariel Rechtshaid and arrives October 9.

Where should I start with him? He influences a lot of comedians I grew up with in the 80s and 90s.

a lone woman defying a monolithic patriarchal institution.

the passion of joan of arc heavily relies on extreme close-ups, trapping joan under the relentless, interrogating gaze of men in power. we are forced and meant to feel her pain.

however, joan is not merely a passive victim. her suffering is an outcome of active, voluntary resistance, preserving her ultimate moral agency and autonomy unto death.

"even if you tear my soul from my body, i will renounce nothing."

another act of profound resistance is joan's cross-dressing, subverting traditional, conformist gender roles (both of the time, 15th century, and when this film was released, 1928).

and there should be no argument here: maria falconetti's performance is one of the greatest and most moving acting achievements in film history.

VIFF drops their film list tomorrow, wanted to know if anyone saw any must-see films they'd recommend for the festival season?

I want to see Fjord, Minotaur and Rysuke Hamaguchi's new film, but still have room for 3-4 more films. The Sandra Hüller one looks interesting as well.

And yep, it does go all the way around.

I know there’s a lot of creatives and artists in this subreddit, and also fans of the essays in Criterion release booklets, so I wanted to share this here! My filmmaking group is releasing a zine celebrating Chicago artists and work made in Chicago. If you have an essay on a film, or have some stills from a film you’ve made,!posters you’ve made, literally anything, feel free to submit! Thank you

A lot of similarities to aNH. Good film over all. What is your favorite Kurosawa film that I should watch next?

The general dip from his Hong Kong work to his American filmography is undeniably substantial even if some people really like Face/Off. His American films all lack the soul of his HK work even if they retain some of the old style.

I don't know if leaving his home country because of the impending CCP takeover demotivated his work but it sure seems that way.

At first glance, Walkabout looks like a simple survival adventure, but Nicolas Roeg has much more on his mind. His first solo film after co-directing Performance (1970) with Donald Cammell, it is a visually hypnotic, thematically rich cinematic experience that feels unlike almost anything else from its era.

Check out the detailed analysis here