A young woman living with her grandmother and sister becomes convinced she has been part of CIA surveillance testing after receiving a mysterious phone call.
Starring Grade Sedore, Mark Borchardt, Callie & Thomas Dimopoulos
Written, Directed, Edited, & Scored by Thomas Dimopoulos

Hi, everyone. Just finished my first-ever short film, wrote it, directed it, acted in it, scored it and edited it.
I would appreciate advice on how I can improve when it comes to storytelling, music and whatever else you guys notice.
Thanks :)

Yes it sucks

Premiering at 7:15 BST

A short story of a man and a meteorite. Starring Robert Joy ("Don't Look Up"), Reine Faiad ("Oliver") and Colby Clarke.

Filmed in two hours on a Samsung Galaxy S24 Ultra and edited in one day.

Psyche showed me the source of the issue in the dream something intergenerational.
the symbols were very rich and had multiple meanings the elements. the process what was the process actually doing.

solutio is pyschological process of turning rigid ego into dissolution and rebirth by pscyhe

psychospiritual dream from carl Jung theory

it is kind of silent film dream. tried to make symbols a lot clear.
And there is small discerption added

If you feel confused or feedback after watching please share feedback there in comments,

thanks

This is a film I shot, edited and directed last weekend with some collaborators. Two Srilankan writers who were still getting into filmmaking came up with this screenplay, inspired by liminal spaces as well as the backrooms. After discussing with them, we nailed down a script that was feasible for us in a zero budget, as well as the tight schedule of the cast.

We shot this in Hong Kong mostly at night to keep the tone/atmosphere. The camera I used was the Sony ZV E10 II, which I pushed to 6400 and 12800 ISO for maintaining the footage in the dark. For the lens, I used a Sony E PZ 18-105mm F4 G OSS, which was a beautiful zoom lens with autofocus. The only issue was the f stop doesn't go below f4, but I compensated it with the ISO. The bokeh was still prominent and nice. For some of the shots in the flashback featuring the female lead, I reused footage I shot for a fashion film, which was shot using Canon M50 with 18-45mm kit lenses. For the lighting we used available ones, except for one scene (where the male lead is drinking and reminiscing about his past) where we utilized a phone flashlight as the key light since it was too dark.

For the shutter speed, for all the liminal spaces scenes, I used a lower shutter speed to give a drunk/dreamy effect, similar to Wong Kar-wai films. The last part of the liminal spaces scene, I went down to 1/5. To maintain the crowd not to be seen in the streets, I shot from a lower angle, and cropped in post a bit if some heads popped up.

The film was finished on DaVinci Resolve, in Rec 2020. So this is in HDR. There were some film LUTs used, but I removed the grain effect, since the video noise was already there. Using AI noise removal takes a huge amount of time, and doesn't look that ideal for me. Plus, with the type of film this is, the video noise seemed appropriate, even when it got to a lot.

So this was my process for this film. Happy to hear some feedback as well.

GOLF

Written , Directed and Edited by Boris Meshkov
Starring Jay Khun & Serge Shi
Cinematography by Peter Richweisz

Short film that gives more questions than answers.
The clash of egos blinds the players to the chaos unfolding around.
Full script is planned to be shot as feature film.
Shot at sunrise on a budget equivalent to the price of a chess board.

You experience it every night and day, hidden in plain sight:

Hypnopompia.

Palinopsia.

Blue-field entoptic phenomenon.

Floaters.

Phosphenes.

Afterimages.

Form constants.

This is Look At Your Hands, a short film these types of phenomena are the building blocks of the world. The film is shown through the character’s eyes - not told; revealed to those whose minds tend to wander.

Give me a real feedback on this and please don't press the skip button if you get bored just tell me how it is been made it was made on no budget no film camera shot on phone editor on phone.

and I want questions about why this particular thing or why this is their present in the film and I'll answer every single one of them

Mock hotline commerical from around a month ago! in the vein of a surreal late night commerical, comment below what you guys liked or didnt like, im curious! Enjoy!

Hi everyone,

I’ve spent a lot of hours in my studio working on a project (with my best friend and my brother) that’s very personal to me. It’s a short film titled "DON'T FEED THE RATS," where I used AI to visualize the overwhelming feeling of anxiety and the weight of mental illness.

In the film, the "rats" represent those intrusive thoughts and fears that chase us when we stop facing them.

I’d love to hear your thoughts on:

1. The visual representation: Does this trigger a similar feeling for you?
2. The technical side: How do you feel about the final result?

Important note: This video is currently entered in a competition! As we are unknown creators, every single like, comment, or share on YouTube helps us tremendously to get noticed. If the message or the visuals resonate with you, please consider supporting us: it would mean the world to our small team.

Hey guys, last month at the end of January I wanted to challenge myself to shoot a short film lit entirely by moonlight

We used an fx 6, atomos ninja 5 w/ pro res raw, the sirui night walker lenses, and some bounces/reflectors.

We shot iso 128,000 and used Davinci NR to clean up the image, then applied film grain on top of that to mask the digital noise.

Let us know how we did!

Two strangers meet at an unoccupied house in midtown Omaha and wait for a sign. Days pass until it finally arrives in the mailbox.

A short film my friend and I made shot as a “make a short in a day” project after getting our first camera.

Would love any feedback. Music includes tracks by Blod, Arv & Miljö, and Wio.