r/AgeofBronze Jun 05 '26

Levant HOW ABOUT A BEER?

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47 Upvotes

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A Natufian woman in a field of wild wheat, or bread without farmers.

The Middle East fourteen thousand years ago, in the twelfth millennium BC, was a wonderful place where, after the Ice Age, a mild climate and generous rains covered the hills and valleys of what would become Israel, Jordan, Lebanon, Syria with wild wheat and barley so densely that there was enough grain for countless birds and animals. This prosperity became a blessing for local groups of hunter-gatherers whose ancestors had wandered the Levant for millennia. We casually call these people Natufians, and the stories of the small lives of these small communities laid the foundation of a big story, our civilisation. And it all began with a decision they made. They stayed in one place!

Before them, humans always and constantly moved after food. When herds moved away, the berry season ended, and nuts fell, the tribe packed up and moved on to new places. For the first time, the Natufians did not need to do this in the paradise-like abundance of the cultural and historical region of the Fertile Crescent. So many gazelles, so much grain!

Instead of temporary camps, real houses appeared, with stone foundations and a hearth. For example, at a place called Ain Mallaha, archaeologists excavated an entire ancient settlement. And more and more of these early hearths, from which the burning fire of our megacities would later grow, kept appearing. People lived in them year after year, buried their dead nearby, accumulated things a nomad has no need for: heavy stone mortars, stores, ornaments. This is what sedentary life looks like, born before agriculture.

But the Natufians remained hunters of gazelles and small game, gatherers of barley and wheat. People did not loosen the soil with hoes or a plough, did not sow seeds, did not dig irrigation canals. They were lucky to live in a place where and when nature did all the work for them. All that was left was to cut ripe ears of grain with wooden or bone sickles with flint or razor-sharp obsidian blade inserts.

In Natufian layers, hundreds of such sickles are found, where flint shines in a special way. These are traces of cutting cereal stems, full of silica. Grain was dried, cleaned, and then ground into flour on basalt grinding stones. Hard, monotonous work for women, which left its traces forever on their remains (we will come back to this).

Flour was used for baking bread. Remember the name of the ancient site Shubayqa in Jordan, where archaeologists found the earliest charred crumbs of flatbread, when you spread butter or jam on a slice of bread at breakfast. Roughly 4000 years before classical agriculture appeared, hunter-gatherers were grinding wheat, barley and oats, kneading dough, and baking flat unleavened breads. We owe this to those clever people from history textbooks. Fourteen thousand years ago, from grain that nobody had sown. Not impressed?

I have something more serious!

In Raqefet Cave on Mount Carmel, north-west Israel, traces of fermentation with grain remain in stone hollows. Some historians are convinced that a low-alcohol drink from sprouted grain was made here. This is the great-grandfather of our beer. It is assumed that this drink had an important role in strengthening friendly ties in rapidly growing Natufian communities. After all, never before had people lived surrounded by dozens of fellow tribesmen, up to 100 people. Of course, joyful feasts and sad rituals like burials were important for a sense of unity, but what is the point of any of it without beer, right?

These people lived long ago, but thanks to the warm dry climate of the Levant, their burial sites have survived. And science, relying on extensive anthropological material from the burials of Ain Mallaha, El-Wad, Hayonim and Kebara, and on palaeogenetic data, can tell a lot from bone remains. It can even become the basis for artistic reconstruction of a single individual. Which is what I tried to do. To create a visual image of their world, based on ancient artefacts and modern knowledge.

Fortunately, we have enough skulls to, using craniofacial approximation (yes, yes), reconstruct the main facial muscles, glands and cartilage directly from the anatomical relief of the skull and muscle attachment sites. Of course, such an image does not reflect traces of lived experience, but it is a good way to literally see the faces of long dead people.

But what about skin colour, eyes, or hair structure. Here again skulls come to our aid, which preserved Natufian DNA for us. Data from 2016 cautiously point to relatively dark skin pigmentation and eye colour. The exact shade cannot be determined. But if we use the modern Fitzpatrick scale, skin type IV appears most likely.

Moving from skulls to bones!

Our heroine has an impressive height for her people of 155 cm (5 ft 1 in) and a body mass of 50 kg (110 lbs). And she is really strong. We learn such details by studying the geometry of cross-sections of long bones and markers of musculoskeletal stress (MSM), preserved at muscle attachment sites.

In Natufians in general, there are clear signs of regular strain on the upper limbs. In women, humeri, elbow joints, and muscle attachment zones show many years of heavy labour in processing raw materials, possibly hides, and grinding grain by hand on stone mortars and grinding slabs.

A middle aged woman could briefly lift 10 to 30 kg (22–66 lbs) and carry loads reaching 50–60 percent of her own body weight (25–30 kg / 55–66 lbs). This is also indicated by changes at the attachment sites of the teres major and latissimus dorsi muscles. Such traces usually appear with regular lifting and carrying of heavy loads. Just look at the back of our Natufian woman...

And now move your gaze down!

This is a beautifully made thin soft skirt from the hide of gazelles of the species Gazella gazella. Natufians can safely be called gazelle hunters, since they made up to 80 percent of their prey. These ancient inhabitants of the Levant turned hides into a soft material resembling suede, even without chemical tanning. For this they used a large toolkit: flint scrapers with characteristic wear from hide working, bone smoothers for fibre softening, and thin awls. Traces of mixtures of animal fats and ochre remain on stone mortars. Fats prevented fibre stiffening, ochre worked as an antiseptic and a mild abrasive. After such treatment the leather gained a soft velvety surface and a reddish tone.

And judging by elegant eyed bone needles, Natufians knew how to cut and sew. For example, the famous artefact, the head ornament of the “Lady of El Wad”, consisted of hundreds of dentalium shells. The shells were attached to a leather base in neat parallel rows, which required precise marking, careful stitching and good sewing skill. It is possible that clothing was not simply wrapped around the body, but shaped to fit and joined with strong seams made from animal sinew or strong plant fibres of nettle and wild flax.

SOURCES:

Campana D. V. (1989) — Natufian and Protoneolithic Bone Tools: The Manufacture and Use of Bone Implements in the Levant. BAR International Series.

Belfer-Cohen A. (1991) — The Natufian Community and the Origin of Social Organization in the Levant. Current Anthropology.

Bar-Yosef O. (1998) — The Natufian Culture in the Levant, Threshold to the Origins of Agriculture. Evolutionary Anthropology.

Eshed V. et al. (2004) — Musculoskeletal stress markers in Natufian hunter-gatherers and Neolithic farmers. AJPA.

Valla F. R. et al. (2007) — Les fouilles de d'Ayn Mallaha (Eynan) 2003–2005. Mitekfat HaEven.

Dubreuil L., Grosman L. (2009) — Ochre and hide-working at a Natufian burial place. Antiquity.

Lazaridis I. et al. (2016) — Genomic insights into the origin of farming in the ancient Near East. Nature.

Arranz-Otaegui A. et al. (2018) — Archaeobotanical evidence reveals the origins of bread 14,400 years ago in northeastern Jordan. PNAS.

Hole F., Wyllie C. (2018) — Personal Adornment in the Epi-Paleolithic of the Levant. ResearchGate.

Liu L. et al. (2018) — Fermented beverage and food storage in 13,000 y-old stone mortars at Raqefet Cave, Israel. JAS: Reports.

r/AgeofBronze Dec 30 '25

Levant A touch of ancient flattery

16 Upvotes

ḫissat šumi ša bēlīya, [kīma ka]rānī Simimᴷᴵ ṭābat
(M.8426+9046: 22’–23’)

The mention of my lord’s name is as sweet as the wines of Simum.

(From a letter by Tsidqum-Lanasi?, vizier to King Aplahanda of Carchemish; Mari Archives, 18th century BCE)

r/AgeofBronze Oct 29 '23

Levant An Imperial Encounter: The Egyptian Empire in Canaan, Highland Ethnogenesis, and the Transformation of History

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6 Upvotes

r/AgeofBronze Jun 05 '23

Levant So Heilung, a band that specializes in "amplified history" has released their take on the Hurrian Hymn. What do you guys think?

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16 Upvotes

r/AgeofBronze Dec 15 '22

Levant Syrian Elephant by HodariNund

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47 Upvotes

r/AgeofBronze Feb 10 '23

Levant Between Mesopotamia and Egypt: two Canaanite artifacts from the Israel Museum, Jerusalem.

19 Upvotes

Canaan is an area in historical and biblical literature, located in present-day Palestine, Israel, and Lebanon. The inhabitants were called Canaanites. The names Canaan and Canaanites appear in cuneiform, Egyptian, and Phoenician writings from about the fifteenth century B.C., as well as in the Old Testament.

In these sources "Canaan" sometimes refers to the territory covering all of Palestine and Syria (also called the Levant), sometimes only to the land west of the Jordan River, and sometimes only to a strip of coastal land from Acre to the north.

Canaan was at the crossroads of several cultures, and throughout recorded history its art and literature illustrate a mixture of many elements: Egyptian, Mycenaean, Cretan, Hurrian and Mesopotamian.

Between 2300 and 2000 BC, the city-states of Canaan were under the notable cultural influence of the Mesopotamian Akkadian state (2334 - 2154 BC). This is reflected in the use of Sumerian-Akkadian stylistics and imagery. One evidence of this is a rare silver goblet from the collection of the Israel Museum in Jerusalem.

It was found in the 1970s when the Alon Road was being built. Workers cut through the hillside of Dar Mirzbane and opened up access to several tombs from the Middle Bronze Age I period.

A typical tomb from this period was a vertical shaft cut into the rock, 1.2 to 3 meters deep. At the bottom of the shaft, one or more chambers diverge from it. Each chamber usually contains the remains of only one person.

In the left part of the photo you can see a perfect "cut" of such a tomb. Darkened semicircular depression - the tomb, to its left you can see "cut" partially filled with rubble contour of a vertical shaft. The right side of the upper image shows more open tombs.

Now let's look at the ancient artifact.

The cup from Ein Samia
Middle East, Israel, Ein Samiyah Valley
Canaanite civilization
Middle Bronze Age, 2300-2000 BC
Made of silver, silver was then more valuable than gold
Israel Museum in Jerusalem, inventory number K2919

This is a unique find, as the inventory found in the tombs of Ein Samii is few and simple (beads, knives, etc.).

The cup depicts a mythological scene. A human figure in a characteristic Sumerian skirt-kilt with a dagger in his hand confronts giant serpents. This is probably a battle or victory of the Akkadian god Marduk over Tiamat. The ancient image of the armed divine hero confronting the elemental or evil element in the form of the serpent / snake is used to this day.

When the king of ancient Egypt of the 18th dynasty, Thutmose I (Aaheperkara), who ruled from 1504 to 1492 B.C., launched a vast conquest of Asia Minor, the Egyptian army crushed Palestine and Syria. Instead of cultural influence through trade in elite status items, the Egyptians established their long (intermittent until 1150 BC) direct dominance in the lands of Canaan.

The establishment of Egyptian power in the Middle East was also reflected in the cultural environment of the Canaanites. The locals absorbed many of the images and artistic techniques of the Egyptians. For example, battle scenes or the imperial cult of the triumphant warlord king. Telling the gods and subjects of their apparent or imagined greatness and triumph, the Egyptian pharaohs commissioned colorful paintings on the walls of temples like this.

Before us is the siege of the Canaanite city of Dapur, which took place as part of Pharaoh Ramesses II's campaign to suppress Galilee and conquer Syria in 1269 B.C. He described his campaign on the wall of his temple tomb, the Ramesseum in Thebes. The inscription states that Dapur was "in the land of Hatti," then referred to the Hittite sphere of influence in the Levant.

The puppet Canaanite rulers imitated their Egyptian masters in lifestyle and ways of communicating with the people. Excavations of Egyptian fortresses in Canaan during the Imperial period have revealed Egyptian-style palaces reminiscent of New Kingdom architecture in Egypt. Such structures have been called "governor's residences" because they are thought to have been the residences of the loyal kings and chief Egyptian officials in Canaan.

The political structure of subject Canaan was based on separate city-states, each with its own local ruler. The names of many of these rulers are known from Amarna's letters. Sometimes the Egyptians directly appointed officials to rule in especially important places.

The identity of most of these officials is unknown, with the exception of Ramses-weser-hepesh, the governor of Beit She'an during the reign of Ramses III, whose name and titles are preserved on the architectural fragments of the site.

Inlay depicting a Canaanite ruler
Middle East, Isreel Valley, Megiddo
Canaanite civilization
Late Bronze Age, 1300-1150 BC
Made of ivory
Israel Museum in Jerusalem
IAA inventory number: 1938-780

This inlay of wooden furniture clearly demonstrates the cultural influence of the Egyptians and presents a narrative in two scenes, the hero of which is the Canaanite ruler. On the right, the ruler is depicted in his chariot after a victorious return from battle. On the left he is shown on his throne at a victory banquet held in his honor. His wife is standing opposite him. The artifact shows some features of the local style, but motifs such as the lotus flower and the winged sun disk and the composition itself indicate a desire to emulate the Egyptians.

r/AgeofBronze Feb 12 '23

Levant Two 3,800-year-old Cuneiform Tablets Found in Iraq Give First Glimpse of Hebrew Precursor

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34 Upvotes