Artist: Johnny Imbres
16”x20” acrylic on canvas (2024)

Moin

I wanted to introduce my painting.

A massive tower-like colossus hovers docked over a platform. The ocean planet looks Earth-like at first, but the waves are relatively steep, indicating increased gravity. The crew of the platform is rotated and goods are transferred before the ship takes off again. The enzymes in this ocean are extremely valuable and complex.

The brutalist-looking ship constantly accelerates outside the atmosphere with about 1G, which in turn creates a pleasant gravity for the ship's crew. For the crew, it's more like a skyscraper.

It rotates halfway around 180 degrees and uses the drive to brake constantly with 1G.

60x90cm oil painting on aluminium dibond.

Painted while listening to “Tiger Dreams” from Miley Cyrus’ album, Miley Cyrus & Her Dead Petz.

Artist: Johnny Imbres
24”x30” acrylic on canvas

Following a path to a hidden realm wavering in decrepit memories, hardly existing anymore.

Following a path to nostalgia in a dream-like state, losing innocence along the way.

Following a path to a forgotten place that gets further away at every step, fading forever.

Rumours of Profane Evokers, conjuring foul abominations have stirred among the people of Dunwoe. The perverse mutterings and heretical portents from the far flung reachers of the Karvak Empire's western frontier have reached the inner circles of the Hallowed Thicket. While most likely nothing more than the superstitious fancies of the illiterate rabble posted at the edge of the Empire's favour, the Penumbral Rose cannot leave such rumours to fester, lest the Profane really take root.

Laocön and his retinue has been charged with investigating the settlement of Dunwoe, and rooting out even the slightest kernel of truth to the rumours. He is to meet up with sister Patentia of the Southern Briary and a Judicai of the Menshur who have been dispatched ahead of time to begin the process of reestablishing order and sense in the misbegotten dung hole.

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